GCSC English Literature

GCSC English Literature

GCSC English Literature

English Literature GCSE (9-1)

GCSE English Language and GCSE English Literature are both compulsory and two separate GCSEs. Alongside GCSE Maths and GCSE Science, you must pass these GCSEs to further your education.

This is because the skills you gain in these GCSEs are considered ‘essential’. If you fail these subjects for whatever reason, you’ll have to retake them. The key difference between this and English language is that English literature is a constructive process. Studying literature develops what are called critical thinking skills.

The English language GCSE focuses more on developing students reading, writing, speaking, and listening skills. By comparison, the English literature GCSE is more focused on developing knowledge and understanding of prose, poetry and drama texts.

English literature is all about analysing important texts and authors.

English literature as a subject involves thinking about literary techniques – why a writer has chosen to do something. This might be in the language they use, or the form the text takes. Similarly, in English literature, you’ll study how context influences a text.

In GCSE English Literature, you’ll study the “Big 3” forms of texts: novels, plays and poetry. You have to study at least one Shakespeare play

Students will be examined in two key components:

Reading
  1. Literal and inferential comprehension:
    Pupils will be expected to read ‘beyond’ the text, and spot differences between what is stated, and what is potentially meant. They will also be required to understand what is perhaps implied by a word in the context that it is used.
  2. Critical reading:
    Again, pupils need to look beyond what is written to pull deeper meaning from texts — perhaps by understanding the writer’s social/historical context to inform evaluation. Pupils will also need to support / oppose a point of view, or make an informed personal response by referring to evidence in the given text.
  3. Evaluation of a writer’s choice of vocabulary:
    Pupils will need to use linguistic and literary terminology to evaluate grammatical and structural features (such as, but not restricted to, phrase, metaphor, meter, irony and persona, synecdoche and pathetic fallacy)
  4. Comparing texts:
    Comparing both seen and unseen texts for theme, characterisation, context, style and literary quality.

Writing
  1. Producing clear and coherent text:
    Students will be expected to tailor their writing effectively to suit different purposes or audiences. They may be required to: Describe, narrate, explain, instruct, give and respond to information, and argue.
    Beyond an imaginative and creative use of language, and the appropriate selection of vocab, grammar, form and structure, pupils also need to be mindful to maintain coherence and consistency throughout their response.
  2. Writing for impact:
    Pupils will be expected to select, organise and emphasise key facts and ideas. Where appropriate, they should also cite their sources effectively in order to support their views.
    Pupils should again use imaginative, creative and persuasive language (such as rhetorical questions, antithesis and parenthesis) in order to create an emotional impact.
    20-25% of the marks in the final exam will include making comparison with unseen texts, again raising the importance for pupils to be in reading and analysing texts (is your child reading for pleasure yet?!)
    A slightly less weighty 5% of marks will be awarded for vocabulary, sentence structures, spelling and punctuation.
  3. Selection of Texts
    While the exam boards, on the face of it, are providing a large selection of texts which the pupils may study, the reality of the situation is that schools make this selection for the pupils. We’ve highlighted the most popular choices in the tables below.

The new English Literature syllabus focuses on ‘classic literature’ and ‘substantial whole texts in detail’, taken from the following categories:

  1. Shakespeare
  2. 19th century novel
  3. Selection of poetry since 1789, including Romantic poetry
  4. Fiction or drama from the British Isles from 1914 onwards

In England and Wales, there are four different exam boards for GCSE English: AQA, OCR, Pearson Edexcel and WJEC/ Eduqas. We will covering two boards at Champs Learning – Edexcel and AQA.

Shakespeare

Schools will select one play from the following for students to study

Play title Edexcel AQA OCR
Macbeth Y Y Y
Romeo and Juliet Y Y Y
Much Ado About Nothing Y Y Y
Twelfth Night Y
The Merchant of Venice Y Y Y
Julius Caeser Y
The Tempest Y


The 19th Century Novel

Schools will select one novel from the following for students to study

Play title Edexcel AQA OCR
Dr Jekyll and Mr Hyde – R L Stevenson Y Y Y
Pride and Prejudice – Jane Austen Y Y Y
Jane Eyre – Charlotte Brontë Y Y Y
Great Expectations – Charles Dickens Y Y Y
A Christmas Carol – Charles Dickens Y Y
Silas Marner – George Eliot Y
Frankenstein – Mary Shelley Y Y
The War of the Worlds – H G Wells Y
The Sign of Four – Sir Arthur Conan Doyle Y


Modern Texts

Schools will select one text from the following for students to study

Play title Edexcel AQA OCR
Animal Farm — George Orwell Y Y Y
An Inspector Calls — J B Priestley Y Y Y
Lord of the Flies — William Golding Y Y
Hobson’s Choice — Harold Brighouse Y
Blood Brothers — Willy Russell Y Y
Journey’s End — R C Sherriff Y
Anita and Me — Meera Syal Y Y Y
The Woman in Black — Susan Hill Y
The History Boys — Alan Bennett Y
DNA — Dennis Kelly Y Y
The Curious Incident of the Dog in the Night-Time (play script) — Simon Stephens Y
A Taste of Honey — Shelagh Delaney Y
Telling Tales — AQA Anthology Y
Never Let me Go — Kazuo Ishiguro Y Y
Pigeon English — Stephen Kelman Y
My Mother Said I Never Should — Charlotte Keatley Y


Edexcel has two papers
  1. Paper 1 – Shakespeare and Post-1914 Literature
    1. Macbeth
    2. Romeo and Juliet
    3. An Inspector Calls
  2. Paper 2 – 19th-century Novel and Poetry since 1789
    1. The Strange Case of Dr Jekyll and Mr Hyde
    2. A Christmas Carol
    3. Relationships - Poetry
    4. Power and Conflict - Poetry
    5. Unseen Poetry

AQA also has two papers
  1. Paper 1 – Shakespeare and the19th-century Novel
    1. Macbeth
    2. Romeo and Juliet
    3. The Strange Case of Dr Jekyll and Mr Hyde
    4. A Christmas Carol
  2. Paper 2 – Modern Texts and Poetry
    1. An Inspector Calls
    2. Poetry: Love and Relationships
    3. Poetry: Power and Conflict
    4. Unseen Poetry
At Champs Learning, we will be covering following novels and poetry.

Shakespeare plays

  1. Romeo and Juliet
  2. Macbeth

The 19th-century novel

  1. The Strange Case of Dr Jekyll and Mr Hyde
  2. Christmas Carol

The Modern Texts

  1. Inspector Calls
  2. Lord of the flies

Poetry

  1. Love and Relationship
  2. Power and Conflict


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Available Batches

Course Features

Macbeth
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)
Inspector Calls
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)
Poetry – Love and Relationship
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)
Christmas Carol
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)
Romeo and Juliet
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 2
From January to March (12 sessions)
The Strange Case of Dr Jekyll and Mr Hyde
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 2
From January to March (12 sessions)
Poetry – Power and Conflict
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 2
From January to March (12 sessions)
Lord of the Flies
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 2
From January to March (12 sessions)
History Boys
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)
Poetry – Belonging
  • Sessions per week : One
  • Total no of sessions : 12
  • Students per class : 10
Price : 300 One time
Classroom Batch 1
From January to March (12 sessions)